Three ballerinas – Sarah Lane, Christine Shevchenko and Devon Teuscher – were promoted to principal dancer at American ballet theater, the company announced on Friday.
Calvin Royal III, a member of the corps de ballet who has been in the spotlight with solo roles, has been promoted to soloist.
The Ballet Theater typically announces promotions during the last week of its Metropolitan Opera season, which ends on Saturdays. Because two main ballerinas were leaving the company, at least as many promotions were expected.
These dancers are all longtime members of the Ballet Theater who rose through the ranks starting with apprentice and corps de ballet roles – unlike the international stars who join as lead dancers after appearing as the guest artists, or as Jeffrey Cirio, an import of the Boston Ballet which started at the Ballet Theater as a soloist in 2015 and was promoted less than a year later.
Kevin McKenzie, the artistic director of the company, said in a statement, “It’s gratifying to tap into the depth of our local artists.
Ms Lane joined the Ballet Theater as an apprentice in 2003 and became a soloist in 2007. Alastair Macaulay of the New York Times called her debut as a leading role in “Giselle” in May as “distinguished.” Ms Lane also premiered the role of Princess Praline in Alexei Ratmansky’s “Whipped Cream” this spring.
On Thursday evening, Ms. Shevchenko’s performance alongside David Hallberg in “Mozartiana” by George Balanchine, which is part of the Ballet Theatre’s “Tchaikovsky Spectacular”, was greeted with enthusiastic applause. Ms. Shevchenko, born in Ukraine but living in the United States since the age of 8, joined the company as an apprentice in 2007 and has been a soloist since 2014.
Ms. Teuscher, who became an apprentice in 2007 and soloist in 2014, made her debut this season as Odette / Odile in “Swan Lake”. Gia Kourlas wrote in The Times that she was “the complete package, a mixture of amazing technique, grandeur and ease”. She added that Ms. Teuscher “doesn’t show you how she dances a role; Rather, she embodies it with breathtaking natural coordinating liveliness and elegant strength.
After dancing with the Ballet Theater Studio Company for a few years, Mr. Royal joined the main company as an apprentice in 2010, and has been with the corps since 2011. This might surprise audience members. Mr. Royal is relatively often featured on stage for his rank, including this season in “Swan Lake” and “Whipped Cream”. He also danced a lead role in Ratmansky’s “Serenade after Plato’s Symposium”; Mr. Macaulay wrote in The Times that he and James Whiteside, another lead dancer, “were both stunts.”
Two principal ballerinas left the company during her season at the Metropolitan Opera. Diana Vishneva, 40, bid farewell to the Ballet Theater on June 23 but will continue to dance with another company, the Mariinsky, in Russia. And the Ballet Theater announced this week that Veronika Part, 39, will be retiring as her contract was not renewed for another season. She will bid farewell on Saturday afternoon dancing alongside soloists Blaine Hoven and Arron Scott in “Mozartiana”.